This first gold watch from 1826 exhibits several purely aesthetic techniques. The case of the watch was embossed by an engraver. Using a chisel, solid gold was hollowed out in places to create domes, beads and rosettes, before being softened with small files known as riffloirs, which were also hand-crafted. This technique, known as ramolayage, is similar to carving and often associated with the Renaissance period in terms of jewelry and tableware.

• In order to instill depth and an arabesque spirit into this case, the light is tamed by a subtle work of polishing as well as both broad and fine volutes; sometimes shiny, sometimes matte. Each design is in black and white “grand feu” enamel, the same as the supreme symbol of poetry represented in the center, the Lyre.

• A symbol of the messenger Hermès in Greek mythology, the lyre carries a message. This aesthetic detail of this ladies’ pocket watch is no coincidence. Its interior can be inscribed with a word, engraved on the basin which protects the movement.